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We all admire “Rudolph,” and “Cool,” and “Santa Claus is Coming to Town.” “Slight Drummer Boy” calm makes me yowl like a baby and the diminutive known “Cricket on the Hearth” is a buried gem. I can even rep the unique addition of “Mr Magoo” (which is not a Rankin-Bass product) to the collection, but I have no view who plan it was a expedient thought to save the NON-Rankin Bass Icy special here instead of the “proper” Wintry sequel: “Frosty’s Winter Wonderland.”

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Don’t be fooled. “Cool Returns” is NOT by Rankin Bass and does not feature Jackie Vernon as whine of the passe snowman or Karen the microscopic girl or the legend of Jack Frost trying to seize the hat so all the children will enjoy him instead of Cold. “Icy Returns” is garbage and does not belong surrounded by these other good Christmas classics. But if you don’t mind that and Magoo, it is a grand collection of some of the Apt holiday classics.Frosty’s Winter Wonderland/Twas the Night Before Christmas

Classic Media brings us 7 Christmas specials in one ravishing package in its “Unique Christmas Classics” DVD collection. The headliners of this spot are the three greatest Rankin/Bass Christmas TV specials of all-time: Rudolph the Red-Nosed Reindeer, Icy the Snowman, and Santa Claus is Comin’ to Town! In addition to these, we are treated to “The Shrimp Drummer Boy”, “Mr. Magoo’s Christmas Carol”, “Cricket on the Hearth”, and “Cold Returns”. Plus, a CD of holiday music selections is even included as a bonus!

Disc One features everyone’s current Rankin/Bass special, “Rudolph the Red-Nosed Reindeer.” Based on the beloved song, it’s the stop-motion “animagic” classic from 1964 about a diminutive reindeer born with a nose that glows red! Teased about his nose as a child, Rudolph runs away from Santa’s village and makes unusual friends along the map but also encounters the repugnant Bumble snow-beast! Then, when a fog comes up to threaten Santa’s Christmas Eve flight, it’s only Rudolph’s nose that can build the day! Featuring unforgettable songs from Burl Ives (who plays Sam the Snowman) and others, “Rudolph the Red-Nosed Reindeer” has become a holiday tradition loved by millions!

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Also on Disc One is “Cricket on the Hearth.” Introduced by Danny Thomas and starring the voices of himself, his daughter Marlo, Roddy McDowall, Hans Conried, Paul Frees, and more, this 1967 traditionally engaging special is a musical version of Charles Dickens’ classic. It’s the yarn of a toymaker and his daughter who help a superb cricket that saves the day after the family falls on hard times. “Cricket on the Hearth” is a lesser known Rankin/Bass production and not as endearing as their bigger hits, but it is smooth a nice holiday viewing you probably haven’t seen before.

Disc Two holds a classic that is nearly as beloved as Rudolph, “Icy the Snowman”. This 1969 classic is traditionally sharp and probably Rankin/Bass’s best work in 2D. The charming character designs, voices, music, and simple epic are absolutely incredible. Based on another classic song, this is the narrative of a snowman that comes to life when the children who built him add a discarded magic hat. Unfortunately, snowmen can’t last forever unless they are in a dwelling that is always snowy, and the spoiled Professor Hinkle, the frustrated magician who threw out his hat, wants the hat attend now that he knows it holds valid magical power! Hosted by an gripping Jimmy Durante, “Frigid the Snowman” is such a treat that it even inspired three 2D sequels so far, though only “Frosty’s Winter Wonderland”, from the same creators and with Jackie Vernon benefit as Frosty’s assure, is really suited. Disc Two also includes the only DVD bonus feature in this position, a Frigid pencil test.

Also on Disc Two is one of the more original and very disappointing sequels, “Cold Returns.” Truthfully, I don’t contemplate this can be called an official sequel, as I don’t reflect Rankin/Bass had anything to do with this 1992 rip-off. Surprisingly, this one is from the creators of the fabulous Peanuts specials, sans Charles Schultz, but it has none of that magic. “Frigid Returns”, which depicts a Frigid voiced by John Goodman and with nothing in favorite with the fresh aside from being made of snow, is hosted by an appealing (and for some reason microscopic) Jonathan Winters in an attempt to mimic the host-character style of the Rankin/Bass faves. He presents the myth of a town that is becoming snow-free thanks to a businessman’s spray can invention, “Summer Wheeze.” Wintry and his friends go on a mission to present to the townsfolk that snow can actually be a salubrious thing, but all in all it’s a chronicle that is heavenly uninvolving and forgettable. What a shame they never couple the unusual Icy with “Frosty’s Winter Wonderland”. Unfortunately, you have to lift the other boxed dwelling to accept that one.

Disc Three features what is, in my conception, the definitive version of how Santa became Santa. Well, along with “Santa Claus, the Movie” anyway. “Santa Claus is Comin’ to Town” is the name of the special, and it’s the third of the three big-name classics in this DVD station. The 1970 animagic film, hosted by a stop-motion Fred Astaire, gives us the sage of Santa being left at the doorstep of a toymaking elf family when he was a baby, being raised by them and amongst the forest animals, going on missions to tell toys to the children of Sombertown, meeting Winter the warlock and Jessica, the future Mrs. Claus, and going up against the bad Burgermeister Meisterburger. This charming rob on Santa’s origins includes the voices of Mickey Rooney as Santa Claus, Keenan Wynn as Winter, and the mountainous Paul Frees in several roles. Like most Rankin/Bass holiday classics, this is based on a classic song.

The remaining two holiday specials are also included on Disc Three. They are the lesser known but calm powerful loved “The Puny Drummer Boy,” a somewhat unlit Rankin/Bass animagic legend from 1968 about an orphaned drummer boy who hates people and only loves his animal friends until a visit to the current nativity scene shows him the light, and 1962’s “Mr. Magoo’s Christmas Carol,” which presents the classic, nearsighted cartoon character as an actor in a Broadway production of his have version of “A Christmas Carol.” Both specials are charming and appreciated inclusions in this DVD space.

Lastly, there’s the CD, which is a mixed bag of 7 Christmas songs. They include a very brief “Rudolph the Red-Nosed Reindeer” from Burl Ives, “Rockin’ Around the Christmas Tree” from Bobby Rydell, “A Holly Jolly Christmas” from Burl Ives, “Silver and Gold” from Burl Ives, “Let it Snow” from Chicago, “Winter Wonderland” from Jewel, and “Merry Christmas Baby” from Otis Redding. The CD is an okay addition, but a 4th disc of more holiday specials or more DVD bonus features would have been preferred, or even a kindly soundtrack to one or more of the included specials.

Overall, this place is a must maintain for the Christmas classics lover, and my only major complaint is how hard it is to lift the discs from the comely packaging. I also highly recommend the following DVDs and DVD sets: Christmas Television Favorites (featuring other Rankin/Bass faves and the Grinch!), Mickey’s Once Upon a Christmas, Mickey’s Twice Upon a Christmas, Beauty and the Beast: The Enchanted Christmas, Disney’s Classic Holiday Stories, Peanuts Classic Holiday Collection, The Cheerful Elf, Garfield Holiday Celebrations, Elf, A Muppet Family Christmas, The Muppet Christmas Carol, Warner Bros. Classic Holiday Collection, MGM Holiday Classics Collection, Santa Claus (1960), It’s a Unbelievable Life, Miracle on 34th Street (1947), A Christmas Yarn, The Nativity, A Christmas Carol (1951), Scrooged, Santa Claus the Movie, Santa Claus Conquers the Martians, Scrooge (1935), How the Grinch Stole Christmas (live-action), One Magic Christmas, Babes in Toyland (Disney), National Lampoon’s Christmas Vacation, Ernest Saves Christmas, A Chipmunk Christmas, the Santa Clause films, A Flintstones Christmas Carol, Benji’s Very Acquire Christmas Myth, Sabrina the Inspiring Series: A Witchmas Carol, and more! And don’t forget the many specials only available on VHS! Also, if you’re into the bizarre, gaze out the Star Wars Holiday Special!

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The following paragraph is in my other reviews, but I gain it bears repeating. This six Disk DVD Station is wonderful. The Relate and Sound quality are so very righteous that you feel as though you are watching it in a theater. The closed captioning and Audio reach in other languages besides English. It’s problem packed with all sorts of extra bonus specials. The Lustrous creator, Joss Whedon and other staff members are at their very best, unprejudiced as they were with their work on Buffy (which is also a must absorb) . I not only highly recommend this Season disk space, but the other four seasons as well. Quite a bit of quality work went into the making of all five seasons. They are a valuable catch for any Angel fan! It’s completely impossible to be anything but extremely satisfied with this consume as well as the rest of the series. The writing, acting, directing, etc… are fabulous per usual. This is without inquire once again feature film quality. The fact that all but the first season is filmed in Letter Box gives it that theater feel. In addition, the closed-captioning is less likely to interfere with the characterize.

David Boreanaz (Angel) and Charisma Carpenter (Cordelia) are bright in their performances together as well as the positive sexual tension between them. They play it to the hilt. I personally would have liked to spy them derive together, but Joss Whedon as always had other ideas. Yet, another character was added at the destroy of season two, Amy Acker (Fred) . She was rescued by the crew from Pylea, Lorne’s home demon dimension. She joins Angel investigations, starting out a itsy-bitsy bit on the crazy side. She grows into a pivotal member of the group. Amy Acker is quite a versatile actor. I must give extra credit to the incomparable Julie Benz (Darla, Vampire Extraordinaire) . She was introduced at the extinguish of Season One, brought befriend by Wolfram and Hart as Human. She does an exceptional job in playing the wickedly pissed off pregnant vampire and then redeeming herself in Episode 9 “Lullaby”, by taking her gain life so that her son may live. I’m aware that quite a few fans didn’t like her until Lullaby, but I always understanding she was astonishing and was very sorry to leer her go as a on and off regular. However, not to misfortune fans she will reappear now and again. As in many cases in the Joss Whedon universe the boring kill up working again and sometimes more. I not only highly recommend this Season disk station, but the other four seasons as well. Any good Angel fan must complete their position with this one. It’s a keeper folks. Win this before it gets sold out and you miss your chance to continue your collection. ORDER IMMEDIATELY AND DON’T FORGET TO Prefer SEASONS ONE, TWO, FOUR AND FIVE WHILE YOUR AT IT.

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Warning: Lots of spoilers.

Season Three of Angel remains, in many ways, my common of the show’s urge. The shows are persistently top-notch, but if I had to set my finger on a specific reason I like it so worthy, it is that the cast meshes together perfectly. By the demolish of the season, there would be major–at the time seemingly impossible to mend–rifts between some of the members of Angel Investigations, but the core group was the best to date. Angel, restored to the group as their spiritual if not technical leader, has recovered his sense of purpose. Cordy (whose presence is missed mightily in the Fifth Season–I hope she and Joss Whedon patch up their differences and work her abet into the display where she belongs–Note: their differences, apart from the official rhetoric, apparently revolving around her leaving the prove for a few episodes arrive the demolish of this season, and her delayed announcement of her real-life pregnancy in Season Four, causing significantly rewriting–my gut feeling is that she will be wait on after a period of “punishment”) has completely favorite her role as the contact to the Powers That Be, and both works hard at becoming a more valuable member of the team and manages to work a compromise to deal with the wonderful physical toll the visions are taking on her (by becoming piece demon–a big step that one could hardly imagine the Cordelia of the first three years of Buffy making) . Wesley and Gunn are both taken by the unusual resident of Hotel Angel, Winifred aka Fred, the scientifically vivid but psychologically traumatized young woman they had rescued from Pylea. And finally, Lorne, formerly known as The Host, moves in when his karaoke bar has to end. It is a tremendous group, and the interaction between all of them is incredible. And the romance! Well, the potential of romance. Fred is initially smitten with Angel, her rescuer. Wes and Gunn gradually plunge in esteem with Fred. And Cordy and Angel are both quite obviously growing closer and closer to one another.

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Against this background of interpersonal relationships, Angel unexpectedly becomes a father. Darla, with whom he had had sex in Season Two in a futile attempt to lose his soul, returns to LA, in an exceedingly pregnant station, all the more powerful for the fact that vampires cannot reproduce sexually (they reproduce through that biting thing) . The result is a cute baby Angel dubs Connor, which is all well and marvelous until he is kidnapped and taken to a demon dimension, where he grows up to be an uber mad, unpleasant kid zigzag solely on revenging himself on Angel, who he has been taught to abhor by the man who kidnapped him. In the entirety of Buffy/Angel, the Connor record line might be the least common in the history of the reveal. Tranquil, it doesn’t maintain this from being a very apt season indeed. Unlike most years of Buffy/Angel, Season Three is carried less by the season-long account arcs than by the individual episodes. There are some immense shows, and many favorable moments. The most harrowing might be the torturous decision that Wes has to effect, and the substantial payment he has to pay for attempting to obey the dictates of conscience.

One of my celebrated moments in the season occurs when the writers lift in one of the immense in-jokes in TV history. On Season Six of Buffy, Buffy is so broke that she has to pick a demeaning job slinging hamburgers and frying processed chicken product patties at a fast-food joint called Doublemeat Palace. It is probably the most biting joke at the expense of the fast-food industry in the history of TV (especially ironic given the fact that Sarah Michelle Gellar’s career began as a very tiny child in a illustrious series of commercials for Burger King explicitly attacking MacDonald’s) . As a result of the Doublemeat Palace episodes, MacDonald’s and other food outlets ceased advertising on Buffy. Meanwhile, on Angel, Wesley is researching a prophecy and is striving to solve the last fragment of the puzzle. To do so, he needs to consult an idol in the shape of a statue, but when he goes to the coordinates, he sees not an imposing statue, but a personified plastic hamburger (consider the Hamburgler from MacDonald’s) . The image of a dreary plastic hamburger person being a distinguished and all luminous entity is humorous enough on its absorb, but intellectual about the conflict with the speedy food industry on Angel’s sister demonstrate gives the scene an entire different dimension.

The point to ends on a spectacularly chaotic notice. Angel, unlike Buffy, has tended to kill each year with far more loose ends. Every season ends with as many questions raised as answered. Of no season closer is this truer than this year. The final episode sees Angel and Cordy, both obviously with strong feelings for one another, agreeing to meet on the beach reach Malibu to “have a talk.” (No mention is made about that cross itsy-bitsy curse afflicting Angel, which I found engaging. No curse and Angel would have been wait on with Buffy.) But Cordy is unexpectedly called upon to become a Higher Being and ends the season by ascending into the Higher Realm, and Angel is bushwhacked by Connor and, in one of the most nightmarish moments in the exhibit, encased in a metal cage and lowered to the bottom of the Pacific. The season started off with everyone feeling attractive well-behaved about things, but ends with Cordy no longer on Earth, Angel on the bottom of the ocean, and Wesley recovering from a near-deadly injure and utterly alienated from all his friends. And all of this sets up the utterly much fourth season.
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Warner Brothers’ release of “The Complete Thin Man Collection” on DVD is a major windfall for fans of the legendry Reduce and Nora Charles. Retired private peer Chop, and his ditzy, (I should be so colorful), wife Nora, known for their witty repartee, ever-present cocktail in hand, and hang-over remedy at bedside, were originally created by author Dashiell Hammett. They are probably sleuthdom’s most sophisticated couple - perhaps the most urbane pair in all of romantic comedy. Rumor has it, the characters were loosely based on Hammett and his longtime companion, Lillian Hellman. Played on the silver camouflage by William Powell & Myrna Loy, the chemistry and timing between the two is dynamite. Skippy, (the dog), plays Asta, their Wire-Haired Fox Terrier, who takes her job seriously as assistant PI.

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The series’ six Thin Man films, (”The Thin Man / After the Thin Man / Another Thin Man / Shadow of the Thin Man / The Thin Man Goes Home / Song of the Thin Man”), revolve around the antics of Mr. and Mrs. Charles, their beloved terrier, and the mysteries they accumulate finagled into solving, which usually involve at least one cancel. Nora, a wealthy socialite married Gash, a PI who decided to give up his business to manage her financial affairs. They reside, temporarily, in a plush Unique York City apartment with a tremendous idea of the Manhattan skyline. Neither of them want to continue in the Private Investigation business, but anguish seems to catch them, and they honest cannot turn it away. Filmed smack in the middle of the Tremendous Depression, Americans going through tough times seemed to esteem the frivolous Charles couple, and their slap-stick detecting style.

The first, and I assume best film is “The Thin Man,” completed in 1934 and directed by W.S. Van Dyke. Here the mystery takes a wait on seat to the couple’s loving relationship, with an emphasis on shenanigans, wisecracking, martini sipping followed by morning-after hang-overs, more banter, etc.. Bottom line - an eccentric, expansive, thin, moneyed inventor, named Clyde Wynant (Edward Ellis), has disappeared. He is the “thin man” of the film title. Nora convinces Cleave to choose on the case because she wants to search for how a cancel is solved - if the inventor has been murdered. Or, he might, in fact, be the murderer! Straight-forward, no subplots - impartial dashing Slit, elegantly droll Nora, Asta, the martinis, lots of panache and several corpses! Vast supporting cast, which includes: Maureen O’Sullivan, Minna Gombell, William Henry, and Cesar Romero.

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“After The Thin Man,” released in 1936 is a handsome, fast-paced, fun sequel, and what it lacks in noir grit, it makes up for in verve. Again, the Depression is giving folks their enjoy of suitable grit in the genuine world. Humor, the opulence and luxury of the Charles’ world, and lots of sexy, sophisticated banter between husband and wife are what brings weary people into movie theaters. This film has the debonair duo, looking into a blackmail turned cancel case. The two have objective returned to their dazzling California home, and win it inundated with Nora’s relatives - all uninvited. Nora’s cousin’s husband has gone missing, and her upper crust family would rather he finish lost than cause a scandal. He was having an affair with a nightclub singer, and apparently extorting mega-bucks on the side. Oh, Crop and Norah secure him all upright! Dreary! And, once again, Nora’s finances are on the abet burner. You’ll never guess whodunit! A very young James Stewart is featured here…very briefly!

“Another Thin Man,” (1939), and another first-rate movie - more complex plot-wise, and perhaps wackier than the first two films! Baby makes three here, four, of course, with Asta. One year former Nickie Jr., is the latest addition and he takes-up lots of his Mom’s time, distracting her from distracting Dad. The Charleses have been invited to employ the weekend at the Long Island estate of Colonel Burr MacFay, (C. Aubrey Smith), a friend and old business associate of Nora’s father. The wealthy munitions industrialist is worried that an veteran business partner is going to extinguish him. Phil Church, who once worked with MacFay, has honest been released after spending ten years slack bars for fraud. The man holds a expansive grudge against MacFay and has threatened his life. The usual gang of martini drinkers are out on the Island, and when MacFay dies, predictably, no one is too haunted. However, Slash and Nora are on the suspect list! Slit drinks less and detects more with this one! Virginia Grey plays the Colonel’s daughter Lois, and Ruth Hussey plays Nicky’s nurse.

“Shadow Of The Thin Man,” (1941), takes Carve and Nora to the races, literally, when cancel, racketeering and mayhem derive, residence and show-up at the track. Sever had absolutely decided against spirited himself with any more sleuth work. He definitely wants to utilize more time with Nora and Nicky, Jr.,…and Asta, too. Unfortunately, he cannot say no to the head of the Fresh York Athletic Commission, who asks him personally to rob the case when a jockey is murdered. There’s a hilarious episode on a department-store merry-go-round in this one, and a stout brawl, started by Asta, at an glorious sea food restaurant. Spacious cast and characters, including renowned acting teacher Stella Adler as Claire Porter, somebody’s girlfriend. And young Donna Reed makes an appearance here as well.

“The Thin Man Goes Home,” (1944), is the penultimate series’ offering and the movie never fails to crack me up! They say “you can never go home again.” This frail adage is probably legal because no matter how grown-up, sophisticated and expedient one might be, you can be distinct to be taken down several notches when returning to the outmoded homestead. The Charleses pay a visit to Nick’s home town of Sycamore Springs. And his parents browbeat the abominable retired PI, (how undignified!) . They so wanted him to be a doctor, unprejudiced like his father! And he cannot gain a stiff drink anywhere!! When a man drops expressionless on the front porch, however, Nick’s folks are grateful for his chosen vocation. Respectable cast: Gloria DeHaven, Edward Brophy, Lloyd Corrigan, Leon Ames, and Ann Revere as the eccentric “Crazy Mary.”

“Song Of The Thin Man,” released in 1947 is the sixth and last film, and finds the Charleses looking into the mysterious cancel of bandleader Tommy Drake. Sultry Gloria Graham sings “You’re Not So Easy to Forget,” by Herb Magidson and Ben Oakland. A sparkling supporting cast includes: Jayne Meadows, Keenan Wynn, Dean Stockwell, Ralph Morgan, William Bishop and Marie Windsor

This outstanding boxed-set comes with some mammoth features, including a bonus 7th disc, entitled, “Alias Chop and Nora,” with two documentaries on William Powell and Myrna Loy. Other highlights are two radio adaptations of the series, as well as comedy, musical and mystery shorts, and cartoons. How can you go nefarious??

JANA

MGM was not entirely eager about 1934’s THE THIN MAN and even less so about the casting of Myrna Loy as Nora Charles–and director W.S. “Woody” Van Dyke was sure to have her the studio gave in with bad grace.

But Van Dyke knew what he was doing. With a wickedly witty script by Goodrich and Hackett, proto-noir cinematography by James Wong Howe, and worthy chemistry between the stars, MGM had a major and unexpected hit. Powell and Loy would become the public’s popular shroud team overnight and would go on to create a host of films together, including five more that chronicled the further adventures of Crop and Nora, sophisticated, high-living, and solving one crime after another.

The current film was a landmark in so many ways that it peaceful sets standards to this day. The 1934 AFTER THE THIN MAN is equally splendid and the 1939 ANOTHER THIN MAN and 1941 SHADOW OF THE THIN MAN only exiguous less so.

With Van Dyke’s death in 1944 direction passed to other hands. Directed by Richard Thorpe, the 1945 THE THIN MAN GOES HOME suffered from an incredibly stale script; although the film is laughable in its intention it is a clinker in comparison with the other films in the series. Directed by Edward Buzzell, the 1947 SONG OF THE THIN MAN was a gargantuan improvement–but although the script was quite edifying Buzzell’s handling of the material lacked energy.

Whatever the case, in each instance we are treated to the truly legendary Powell-Loy flash and dazzle, always delectable, and a series of grand supporting casts that included such names as Maureen O’Sullivan, James Stewart, Ruth Hussey, Stella Adler, Lucille Watson, and Keenan Wynn. Even the lackluster THE THIN MAN GOES HOME is quite laughable and entirely watchable!

Film quality is near-pristine, and these prints are clearly the best available short of a burly digital restoration. Even so, the box spot leaves something to be desired. Although it lays claim to much bonus material, in truth it offers very tiny worth while.

The 1934 THE THIN MAN was released to DVD several years ago and the DVD in this station is that release: the only bonus offered is a package of trailers for the series. The other disks include programs of various MGM cartoons and shorts–but there is not a single cast biography to be found, remarkable less an audio commentary on any of the titles. Given the quality of the casts, the landmark station of the unusual, and the mountainous following the series has… well, it seems a substantial pity.

The seventh DVD consists entirely of bonus material, but it proves a mixed bag. MYRNA LOY: SO NICE TO Advance HOME TO is very good; WILLIAM POWELL: A Right GENTLEMAN is nice enough but it hardly does justice to its subject. A Lux Radio version of THE THIN MAN is though-provoking, but it needs a distinguished remaster, and an episode from the later television series based on the films can only be described as fairly dire.

Fans of the film series–and I’m among them–will be delighted to have all six of the titles on DVD at long last, and I give the dwelling a tubby five stars for that alone. But that joy will be tempered by the inadequate treatment the films receive in terms of bonuses. It seems an opportunity lost.

GFT, Amazon Reviewer

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BABY GENIUSES: Dr. Elena Kinder (Kathleen Turner) is out to dominate the world. Two-year-old Sly is the only person in her way. Dr. Kinder and her partner in crime, Dr. Heep (Christopher Lloyd), have a covert research lab dedicated to cracking the code to a secret baby language. When Sly escapes from the lab, he joins his twin brother Whit in an effort to expose the nefarious plot. Raised by his uncle (Peter MacNicol), who cares for special children, Whit is naive to the ways of the world, and is quickly captured by Dr. Kinder. Mistaken for Whit, Sly is taken back to his uncle, where he rallies the other foster babies into a Super commando rescu squad to invade the secret lab in an effort to squash Dr. Kinder’s evil plot.

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From the acclaimed director of CASANOVA, CHOCOLAT, and THE CIDER HOUSE RULES … Academy Award(R) winners Robert Redford (Best Director, ORDINARY PEOPLE, 1980) and Morgan Freeman (Best Supporting Actor, MILLION DOLLAR BABY, 2004) star in this powerful story of risk and redemption. Stoic and heartbroken, Einar Gilkyson (Redford) quietly lives in the rugged Wyoming ranchlands alongside his only trusted friend, Mitch Bradley (Freeman). Then, suddenly, the woman he blames for the death of his only son arrives at his door broke, desperate, and with a granddaughter he’s never known. But even as buried anger and accusations resurface, the way is opened for unexpected connection, adventure, and forgiveness. Also starring Jennifer Lopez (SHALL WE DANCE?) and Josh Lucas (SWEET HOME ALABAMA, GLORY ROAD).

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Don’t miss Academy Award(R)-winners Anthony Hopkins (Best Actor, THE SILENCE OF THE LAMBS, THE INNOCENT) and Cuba Gooding, Jr. (Best Supporting Actor, JERRY MAGUIRE, PEARL HARBOR) in this highly provocative psychological thriller from the hit-making director of PHENOMENON and WHILE YOU WERE SLEEPING! In a prison for the criminally insane, deranged anthropologist Ethan Powell (Hopkins) is set to be examined by a bright young psychiatrist, Theo Caulder (Gooding). Driven by ambition and a hunger for the truth, Caulder will eventually risk everything — even put his very life on the line — in a harrowing attempt to understand the bizarre actions of this madman! Also starring Donald Sutherland (A TIME TO KILL, DISCLOSURE) and Maura Tierney (FORCES OF NATURE, LIAR LIAR) in a first-rate cast — Powell and Caulder’s adventure of the mind is a riveting journey of discovery … no matter what the cost!

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Back in 1982, it was perfectly fine to refer to the 12-year-old star of Silver Spoons as Ricky Schroder. It wouldn’t be until his young adult years, when he went on to star in such projects as Lonesome Dove, 24, and NYPD Blu that Schroder would try to distance himself from the sitcom that made him a household name and replace Ricky with Rick. But no matter how many plum roles Schroder gets, we will always have fond memories of Ricky–or the Rickster, as he was sometimes called on the show. The first season opens with millionaire man-child Edward Stratton III (Joel Higgins) learning that he is the father of a tween boy. Straight out of military school, little Ricky moves in with his dad and the two fill needs in each other’s lives that they didn’t realize needed filling. Schroder already had proven his dramatic acting chops in the 1979 theatrical release The Champ, for which he won a Golden Globe. With Silver Spoons–especially during the first couple seasons–he didn’t have to do much else than look adorable (And look adorable he does). Playing the wise child to Higgins’ somewhat immature (and emotionally stunted) dad, he’s a natural whether helping his father land a date, dealing with a school bully, or making sure his father and grandfather come to terms with their complicated relationship. This three-disc box set includes all 22 episodes, which aired on NBC from 1982-1983. The gust list from the first season is impressive. Jason Bateman (Arrested Development) has a recurring role as his friend/foe Derek. And Sharon Stone, Mr. T and Joey–sorry, Joseph–Lawrence all make appearances. Silver Spoons won’t go down as a serious contribution to the world of television. But like cotton candy, it’s a welcome treat that’s fun to indulge in on occasion. –Jae-Ha Kim

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